When We Went In The Late 1990s,

We Know That Las Vegas Is Junk, But At The Same Time I Think That Exactly The Same Process And Ultimately Also, Perhaps The Same Logic, Attaches Itself To Or Underlies Our Masterpieces. We Live In An Amazing Era When In Spite Of An Absence Of Masters There Is An Explosion Of Masterpieces.

Criticism Per Se Does Not Worry Me. I've Always Solicited It As Part Of The Design Process.

That Has Been Another Interesting Discovery: That Basically A City [lagos] Could Recover From A Really Deep, Deep, Deep Pit.

A Building Has At Least Two Lives - The One Imagined By Its Maker And The Life It Lives Afterward - And They Are Never The Same.

The City Is An Addictive Machine From Which There Is No Escape