I Realize That I Had The Best

What Do You Hang On The Walls Of Your Mind?

I Look For A Sense Of Reality With Everything I Did. I Didn't Work In A Studio, I Didn't Light Anything. I Found A Way Of Working Which Pleased Me Because I Didn't Have To Frighten People With Heavy Equipment. It Was That Little Black Box And Me And £5 Worth Of Film In My Pocket Or Maybe It Was Only £2 In Those Days.

Recording Sessions Were Stimulating To Photograph, Because Everything Was In Motion: The Subject, The Musicians, The Technicians And The Photographer. You Needed Fast Reflexes To Keep Up With Moving Targets, And Sensitivity And Skill To Get The Pictures While Keeping Out Of The Performers' Eyeline So As Not To Break Their Concentration.

I Realize That I Had The Best Of Serious Picture Journalism.

I Realise That I Had The Best Of Serious Picture Journalism. There Was An Innocence In Our Approach, Especially In The 1950s And 1960s When We Naively Believed That By Holding A Mirror Up To The World We Could Help - No Matter How Little - To Make People Aware Of The Human Condition.