I Like The Idea Of The Adventurer's

In That Way, As An Actor In Particular, You're Powerless. And So In That Way As An Actor In Particular You Can't Make Mistakes.

I Don't Want To Be Lofty When I Say This, But I Don't Know What A Success Is Any More. I Know How We Define It, But That Was A Moment Where I Went, "wait, Who Am I?" You Could Feel The Business, In Particular, Kind Of Go "he's All Right, Let's Go Over Here." I Started To Go, "wait, I Know Why I Love To Do This." I Think I Got Off Track In Why I Love To Do It.

But You Need To Strive To Try And Communicate And Try And Change Things In A Similar Way. And Then People Can Think That's Pretentious Or Whatever, But It's Your Life's Work, And You've Decided That. That's What They Made Us Believe. So We Have A Pretty High Standard, Which Is At Times Great And At Times Not.

When You Find Theater Writing Like In The Theater On Film But It's Realistic, It Doesn't Matter Who The Character Is, You Want To Do It.

You Have Formal Rehearsal, A Lot Of Things You Don't Have In Movies - Which Is, You Have To Formally Rehearse. You Have To Know Your Back Story, Discuss It, And Almost Everybody Onstage Has To Know Each Other's [story], So That When It Comes Time To Actually Do It, You Can Throw It All Away. That's The Way I Like To - And I Didn't Realize Until Very Recently - That's The Way I Like To Prepare For Movies.