Everything That Goes On In Your Whole

Every Sentence Has A Truth Waiting At The End Of It And The Writer Learns How To Know It When He Finally Gets There. On One Level This Truth Is The Swing Of The Sentence, The Beat And Poise, But Down Deeper It's The Integrity Of The Writer As He Matches With The Language. I've Always Seen Myself In Sentences. I Begin To Recognize Myself, Word By Word, As I Work Through A Sentence. The Language Of My Books Has Shaped Me As A Man. There's A Moral Force In A Sentence When It Comes Out Right. It Speaks The Writer's Will To Live.

There Were Moments When She Wasn't Talking So Much As Fading Into Time, Dropping Back Into Some Funnelled Stretch Of Recent Past.

The Future Belongs To Crowds.

All Plots Tend To Move Deathward. This Is The Nature Of Plots.

For Me, Wellbehaved Books With Neat Plots And Worked-out Endings Seem Somewhat Quaint In The Face Of The Largely Incoherent Reality Of Modern Life; And Then Again Fiction, At Least As I Write It And Think Of It, Is A Kind Of Religious Meditation In Which Language Is The Final Enlightenment, And It Is Language, In Its Beauty, Its Ambiguity And Its Shifting Textures, That Drives My Work.