When Cartier-bresson Goes To China, He Shows

I Don't Want To Express Alienation. It Isn't What I Feel. I'm Interested In Various Kinds Of Passionate Engagement. All My Work Says Be Serious, Be Passionate, Wake Up.

Our Very Sense Of Situation Is Now Articulated By The Camera's Interventions. The Omnipresence Of Cameras Persuasively Suggests That Time Consists Of Interesting Events, Events Worth Photographing. This, In Turn, Makes It Easy To Feel That Any Event, Once Underway, And Whatever Its Moral Character, Should Be Allowed To Complete Itself - So That Something Else Can Be Brought Into The World, The Photograph.

The Love Of The Famous, Like All Strong Passions, Is Quite Abstract. Its Intensity Can Be Measured Mathematically, And It Is Independent Of Persons.

If I Thought That What I'm Doing When I Write Is Expressing Myself, I'd Junk The Typewriter. Writing Is A Much More Complicated Activity That That.

One Cannot Use The Life To Interpret The Work. But One Can Use The Work To Interpret The Life.