We Live In The Best Of Worlds.

A Problem With My Novels Is That They, From The Start, Have Been Infantile And Incredibly Childish. There Are Childishness, Stupidity, Lack Of Wisdom, Fantasies. At The Same Time, That's Where My Creativity Can Be Found. If I Tried To Control It And Make It More Mature, It Wouldn't Be Good At All. It'd Be Uninteresting, Without Any Vivacity.

National Identity Is A Motion. It's Something You're Inside, You Don't Get What's Happening, You Can't See It From Above. And That's Where You Have To Write. You Can't See What's Happening Now Or What's Going To Happen, So You Just Dive Into It And Write.

Shameless Actually Good Since It Gives A Kind Of Freedom. We Consider The Old, Functionless Shame Destructive. Today, If You Have A Strong Sense Of Shame You Also Have A Strong Desire To Overcome It. And That's When You Can Write.

I Think That The Best Literature Has A Core That You Can't Lock To A Time Or Place But That Can Generate Lots Of Meanings And Translations.

And It's A Disquieting Thought That Not Even The Past Is Done With, Even That Continues To Change, As If In Reality There Is Only One Time, For Everything, One Time For Every Purpose Under Heaven. One Single Second, One Single Landscape, In Which What Happens Activates And Deactivates What Has Already Happened In Endless Chain Reactions, Like The Processes That Take Place In The Brain, Perhaps, Where Cells Suddenly Bloom And Die Away, All According To The Way The Winds Of Consciousness Are Blowing.