We Are Concerned With Similar States Of

There Is No Such Thing As Good Painting About Nothing.

We Favor The Simple Expression Of The Complex Thought. We Are For The Large Shape Because It Has The Impact Of The Unequivocal. We Wish To Reassert The Picture Plane. We Are For Flat Forms Because They Destroy Illusion And Reveal Truth.

It Is The Poet And Philosopher Who Provide The Community Of Objectives In Which The Artist Participates. Their Chief Preoccupation, Like The Artist, Is The Expression In Concrete Form Of Their Notions Of Reality. Like Him, They Deal With The Verities Of Time And Space, Life And Death, And The Heights Of Exaltation As Well As The Depths Of Despair. The Preoccupation With These Eternal Problems Creates A Common Ground Which Transcends The Disparity In The Means Used To Achieve Them.

I Do Not Believe That There Was Ever A Question Of Being Abstract Or Representational. It Is Really A Matter Of Ending This Silence And Solitude, Of Breathing, And Stretching One's Arms Again Transcendental Experiences Became Possible.

The Artist Invites The Spectator To Take A Journey Within The Realm Of The Canvas... Without Taking The Journey, The Spectator Has Really Missed The Essential Experience Of The Picture.