The Mystique Of The Femme Fatale Cannot

The Number One Problem In Academia Today Is Not Ignorant Students But Ignorant Professors, Who Have Substituted Narrow "expertise" And "theoretical Sophistication" (a Preposterous Term) For Breadth And Depth Of Learning In The World History Of Art And Thought... Art Is A Vast, Ancient Interconnected Web-work, A Fabricated Tradition. Overconcentration On Any One Point Is A Distortion. This Is One Of The Primary Reasons For The Dullness And Ineptitude Of So Much Twentieth-criticism, As Compared To Nineteenth-century Belles-lettres.

Education Has Become A Prisoner Of Contemporaneity. It Is The Past, Not The Dizzy Present, That Is The Best Door To The Future.

What Feminism Calls Patriarchy Is Simply Civilization , An Abstract System Designed By Men But Augmented And Now Co-owned By Women.

Rihanna Is Today's Most Fascinating Performer, A Mysterious Amalgam Of Amiable Warmth And Glittering Charisma. With Her Keen Creative Eye For Line And Color, She Has Become A Fashion Icon, Like Audrey Hepburn. Yet She Is A Tempestuous Wild Child And International Adventuress, Like Ava Gardner. Most Importantly, As An Artist In This Overmechanized Age, She Bravely Draws On Deep Wells Of Pure Emotion, Endearing Her To Millions Of Fans Worldwide.

Contemporary Feminism Cut Itself Off From History And Bankrupted Itself When It Spun Its Puerile, Paranoid Fantasy Of Male Oppressors And Female Sex-object Victims. Woman Is The Dominant Sex.