The Main Problem Is That The Hollywood

You Can't Make A Movie About The Artist Without Shooting Outdoors.

It's Important To Be True To The Events, But The Most Important Thing Is To Get To The Essence Of The Experience. Not To Be Bogged Down In An Academic Way By A Notion Of The Truth. First Of All, The Truth Is An Illusive And Spurious Concept.

I Can't Negotiate And Collaborate With A Character To Create A Distilled Dramatic Investigation Of The Raw Material. I Need To Work With An Actor. That Stuff About Actors Who Stay In Character All The Time Is Nonsense.

He's [constable] A Great Painter As Far As It Goes, But I Don't Think He's Remotely Interesting. Not Really. It's Very Pretty And It's Very Thorough, But It's Not Evocative, It's Not Dramatic, It Doesn't Do What Beethoven Does - It Doesn't Shake You Down To The Roots Of Your Soul, Which Turner Does. Constable Is Just Very Nice, Basically. And Moving On To Personality, Constable Was A Very Dull Character.

It's An Unhealthy Habit To Say That Life Is What You Make Of It, And If You Want To Be Happy, Then You Can Be Happy. That's Just Rubbish, Basically. Life Is About Luck And It's About Circumstances And Socioeconomic Conditions And All The Rest Of It, But You Know, You Can Also Make Choices. It's About Spirit And Generosity And All The Other Things, Too.