The Believer Is Happy. The Doubter Is

The Mere Imitation, However Accurate, Of What Is In Nature, Entitles No Man To The Sacred Name Of Artist

Hear The Sledges With The Bells, Silver Bells! What A World Of Merriment Their Melody Foretells! How They Tinkle, Tinkle, Tinkle, In The Icy Air Of Night, While The Stars That Oversprinkle All The Heavens Seem To Twinkle With A Crystalline Delight: Keeping Time, Time, Time, In A Sort Of Runic Rhyme To The Tintinnabulation That So Musically Wells From The Bells, Bells, Bells, Bells, Bells, Bells, Bells-- From The Jingling And The Tingling Of The Bells.

But In The Expression Of The Countenance, Which Was Beaming All Over With Smiles, There Still Lurked (incomprehensible Anomalyl) That Fitful Strain Of Melancholy Which Will Ever Be Found Inseparable From The Perfection Of The Beautiful.

By The Grey Woods, By The Swamp, Where The Toad And Newt Encamp, By The Dismal Tarns And Pools, Where Dwell The Gouls. By Each Spot The Most Unholy, By Each Nook Most Melancholy, There The Traveller Meets, Aghast, Sheeted Memories Of The Past. Shrouded Forms That Start And Sigh, As They Pass The Wanderer By. White-robed Forms Of Friends Long Given; In Agony, To The Earth - And Heaven.

Coincidences, In General, Are Great Stumbling Blocks In The Way Of That Class Of Thinkers Who Have Been Educated To Know Nothing Of The Theory Of Probabilities- That Theory To Which The Most Glorious Objects Of Human Research Are Indebted For The Most Glorious Of Illustration.