It Is Still True That It Is

By Reason Of Weird Translation, Many Such Sets Of Instructions Read Like Poems Anyhow.

Hence My Obstinate Emphasis On Stylistic Continuity From Work To Work Rather Than Specific Sibling Relationships Between The Individual Work And Other Members Of Its Stylistic 'family' In The World Outside.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

When I Left Europe In 1987 I Did So With The Thought That My Relevance As A Composition Teacher Would Benefit From A Certain Cool Distance To Certain Tendencies I Had Been Observing For Several Years With Increasing Disquiet.

As A Necessary Prerequisite To The Creation Of New Forms Of Expression One Might, I Suppose, Argue That Current Sensibilities Respond Uniquely To The Notion Of Exhaustion As Exhaustion, Although That Does De Facto Seem Rather Limiting.