In The Theater, When People Hear That

Mama, I Know You Used To Ride The Bus. Riding The Bus, And It’s Hot And Bumpy And Crowded And Too Noisy, And More Than Anything Else In The World, You Wanna Get Off. And The Only Reason In The World You Don’t Get Off Is It’s Still Fifty Blocks From Where You’re Going. Well, I Can Get Off Right Now If I Want To. Because Even If I Ride Fifty More Years And Get Off Then, It’s Still The Same Place When I Step Down To It. Whenever I Feel Like It, I Can Get Off. Whenever I’ve Had Enough, It’s My Stop. I’ve Had Enough.

We Have To Hear The Stories Of Women At All Ages Of Their Lives In Order To Really Present A Picture Of What It Felt Like To Be Alive In Our Time. That's What Our Job Is As Writers Is To Present That And Create It. Our Job As Writers Isn't To Make As Much Money As We Can. Our Job Is To Create A Record Of This Time. That's Why If You Leave Out Women And The Stories Of Women, We Failed At Our Mission. All Of Us. Men And Women.

On The Whole The American Theater, Dominated By Men, Does Not Perceive Women Fighting For Their Lives As A Central Issue.

Dreams Are Illustrations From The Book Your Soul Is Writing About You.

After I Won The Pulitzer, There Was This Sense Of, 'ok, That's Enough For You. Now Go Away.' What I Wanted Was To Keep Writing, Keep Working. But No One Would Produce Anything Of Mine They Didn't Think Would Be As Big As ''night, Mother.'