I've Had The Pretty Good Fortune Of

I Love Doing Six Versions Of Any Joke, So If They'll Give Me Six Takes, I'd Love To Do It.

The Best Directors I've Worked With, They All Have The Same Thing In Common. They're The First To Say, 'i Don't Know.' If You Ask Them, 'how Are We Actually Pulling Off This Movie?', They'll Just Shrug And Go, 'i Have Absolutely No Idea.'

I Do Have Someone That I Work With And She Is Amazing And I Definitely Don't Have Unmitigated Abusive Tendencies Towards Her. She Is Very Sweet. I Also Know What That Is Like. I Have Heard My Agent Thinking He Has Hit Mute On The Phone Before He, You Know, Physically Unleashes Broken Glass And Cellphones At His Poor Assistant. It Is A Tough Job Under The Best Of Circumstances. I Understand That.

I Played Rugby For Years, And I Had A Rugby Jacket That I Lost When I Was 14. Somehow, My Brother Found It In Storage 15 Years Later, And He Gave It Back To Me For My 30th Birthday. That Was Amazing And Probably One Of The Best Gifts I've Ever Received.

If You Want A Film And They Don't Want You, Sometimes You Have To Go Fight For It. Sometimes That Ends Up Just Being A Meeting Really, Just Sitting Down With Them And Just Saying Here Is My Vision For It And Here Is Why I Really Love It. But For The Most Part, I Think Filmmakers Gravitate Towards People That Are Excited - As Excited As They Are About The Film And As Passionate About It. So Sometimes Going After It Isn't So Much A Function Of Auditioning As It Is Just Sitting Down With The Filmmaker.