For Us, There's An Inherent Process When

I Felt Like If I Said Something Positive On Twitter, It Got No Play. But If I Said Something Negative On Twitter, It Was A Billion Retweets And So That Was Giving Me A Pavlovian Response To Be Mean, And I Don't Want To Be Mean. We All Have Mean Thoughts. They Should Not Be Broadcast On Twitter. You Don't Need To See Mean Things.

I've Always Believed That A Good Twist Is One That, When It Is Presented To The Audience, Half Of Them Say, 'i Saw That Coming.' And Half Of Them Are Completely And Totally Shocked. Because If You Don't Have The Half That Saw It Coming, Then It Wasn't Fair: You Never Gave The Audience A Chance To Guess It.

Good Twists Are Enormously Hard To Come By, And I Think The Best Ones Are Earned Ones. The Idea That A Story Can Take A Left Turn On You, It's Easy To Do, But It Has To Be Done Very, Very Carefully, Or Else You Risk Losing The Audience's Trust.

I'm Not Glass-half-full, Glass-half-empty; I'm Like, "there's A Glass?"

When You're A Writer And You're A Producer, Traditionally The Junkets Are Really Focused On The Beautiful People And Nobody Wants To Talk To You.