Everyone Is An Abused Child, If You

There Just Seems To Be More Acceptance Now Of Other Kinds Of British Films, Than The Picture-postcard Ones.

The More Varied The Characters, The Better, As Far As I'm Concerned.

When Something Arrives, You Have No Idea What's In It, Which Is Good. And Then, It's Is The Story Leaps Off The Page At You And How Your Character Functions Within It. There Could Be Just One Scene And If It's Wonderful, It Doesn't Matter How Much You're Working On It Because You Just Want To Be In It. It's Really About What Your Character's Day To Day World Looks Like, And If You Feel Like That's Something That's Complete, And That You'd Like To Inhabit For Awhile. You'll Know By A Couple Of Scenes In. If The Character Grabs You, You Run With It.

The Better The Writing, The Easier It Gets.

I Don't Care To Analyze Acting. On The Other Hand There Is A Fascination Because Distributors Are Putting Out British Films. You Get Films Here With Great Performances You'll Never See Again. Why Compare. We Should Go After The Businessmen.