Also Expressionistic Filmmaking - Making The Audience

The Whole Visual Language Of The Movie Is Developed Way Before We Get To Set. Especially When You're Doing Visual Effects And You Don't Have A Lot Of Money To Mess Around, Which We Didn't, You Have To Really Preplan Everything. Pretty Much Every Shot In The Film Was Figured Out Months Before We Got To Set.

I Think That There's An Infinite Amount Of Places Where You Can Stick A Camera. There's An Infinite Amount Of Choices Of What Could Be Going On. There's An Infinite Amount Of Places For So Many Things, So You Have To Figure Out How To Do Your Job.

My Hope Is That I'm Going To Continue To Make More And More Challenging Work That's Going To Come Out More And More Interesting. I Don't Know If That Will Always Continue To Happen, But Every One Of My Films Has Definitely Been A Progression As Far As Complexity Of Narrative, Character, And Plot.

I Think I Came To Film-making Through Writing. I Started To Write, And People, Teachers, Responded To My Writing.

Film Is A Great Tool To Play With Time, Going Back And Forth Through Time, Or Speeding Time Up And Slowing It Down And Do Stuff Like That. That's Something You Can't Experience In Real Life That You Can Experience On Film, And It Takes You To A Different Place.