A Lot Of Times, You're Not Necessarily

There Is A Way That A Younger Person Can Accept The Inevitable Problem That They're Going To Die, Whereas Somebody A Little Bit Older Might Be Overcome.

There's A Lot Of Films That Have Relatively Rigid Road Maps Because They Have A Script And Others That Are Less Rigid Because They Have Less Of A Script, Like 'elephant.' The Road Map Becomes More Interpretive, Maybe, Than One With A Detailed Script. Editing-wise, They All Have Their Problems.

I've Told People Who Have Just Started To Make A Film That The One Thing You Might Experience Is This Feeling That Everybody Is Conspiring Against You, Because You're Not Necessarily Able To Tell What's Real And What's Not.

There Is A Common Theme, Though, In The Stories I Have Told, Which Are Usually Associations Of Characters Or Families That Are Formed Outside Of A Family Circle.

Once You're Directing, You're Kind Of In A Certain Mode, Where You're Taking Whatever Is On The Page And Forming It Into The Film That You Think It Might Want To Be. So Whether It's My Writing Or Not, I Still Try To Work With It In The Same Way.